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It felt oneiric—as if the world were grieving her passing. I felt I needed to move to the States because there are so few and poorly-funded creative writing programs in Canada, and very few creative writing jobs. As for whether Japanese Canadians have a different understanding of the poems than others, I think they do—how could they not? It was a wonderful moment where something I had linked so closely to my family mythology suddenly opened up into a shared experience. Tell me about them, their history in Canada. I was particularly taken by the reference in one of your poems to the cremations in the camp. Like all of us, they would be forced to stay in their homes, some in complete isolation, others with roommates, many far from home.{/INSERTKEYS}{/PARAGRAPH} Their language is experiential, rather than purely informational. parents and my grandparents. Later, she trained to be a psychiatric nurse one of the few professional schools that offered room and board to their students. My grandparents were born and grew up on neighbouring strawberry farms in Haney, B. What do you know about this aspect of the internment experience? I wonder how it felt, to be there, in this place so laden with memory? It was unexpected and personally time, and were really wonderful to devastating—both she and my grandfather played my sister and me. That particular sensory experience of walking along the river estuary—seeing the mud and rushes, smelling the mingling freshwater and saltwater—permeated the book and became a significant part of the figurative grammar of the poems. Much later, when I learned it was an acronym, I was shocked. While writing Burning Province, I tried watching Return of the Jedi with to follow a certain set of personal questions as far as my grandparents and realizing in I could at this point in my life. From her 16th floor room in the palliative care ward at Vancouver General, I remember watching the orangetinted sky and all the smoke drifting through the city toward the sea. Henry Miller often played the game to pass time in French situations. far from where I was born can seem so close, or vice writer? in conversations between the adults. Participants take turns drawing sections of a body on a sheet of paper, then folding the paper to hide their contribution. How do you relate those summers to the experience of Japanese Canadians that permeates the book? On project, so reached out to Midi once the website was launched for some March 17, my partner and I picked up Sammy, a threeinsights into the thought processes behind the project, as well as her year-old, lean and muscular marmalade cat from the overall impressions. imagined and lived experiences and places overlay. Around nine or ten, I began to ask questions, and while they were initially resistant, my grandfather did let me interview him about the experience for a school project; it was the first time I had a more comprehensive sense of the event. The title of your book refers to the forest fires that ravaged British Columbia over several summers. Thank you for the kind words, John. Did you visit Steveston and Tashme as part of your research or were you were familiar with already? I have always race leads to a particular sort of Hutchinson once told me that, as a poets, we always loved to read and loved to write— double-consciousness borne of have place: what he meant, I think, is that writing about impulses encouraged by my kami insurance agencies ltd. As we finished up the term and All videos are viewable at exc The film had to wait because there are much more important issues happening in the world, all against the backdrop of a global pandemic. So, too, does the valley where Tashme was. {PARAGRAPH}{INSERTKEYS}BULLETIN INTERVIEW MICHAEL PRIOR order to have somewhere to stay while she completed school. But at the same time, those particular elements of my experience as a Japanese Canadian are by no means universal. One of the ways I tried to grapple with this question in Burning Province is through the pastoral genre of poetry—taking its tropes of exile and return, Arcadia and idyll, and renovating them. of March 16, We all faced a mad scramble in As one of the participants — I created four soundtracks and shot and the supermarkets, irrational stockpiling and fears of edited one of the videos — I was curious about the overall arc of the running out of toilet paper and daily essentials. In the last year of the program I signed the contract for my first book and decided to do another graduate degree because I wanted more time to work on my writing. and culture. They were married and lived in Coquitlam, Richmond, and Surrey, where my grandfather still resides. I think for me, though, the resonance of the title is just as much a personal one: during the fires of , my grandmother was dying. Living in the U. The result is a strange, sometimes grotesque, often amusing creature. I can only imagine what it was like for him to try and explain it to someone so young. Poems communicate. They kindly sent me the script for the Project, and I discovered some of the nikkei they interviewed also remembered the cremations! Growing up, I was very close to One salient event that shaped how I wrote the first them. were so bored they were starting to go a bit nuts. Have you and there throughout the book. Did you feel compelled to trace that journey yourself as you set out to write these poems? They intensify language in order to make it commensurate to the intensities of lived experience. During the lockdown imposed by the COVID health crisis, Toronto I enjoyed taking part in the EXC project. Photo: Candy Pauker. Humane Society. I grew up not far from Steveston, actually, and used to walk along the boardwalk past the canneries and shipyards and old bunkhouses. I also remember the white teenagers who followed us at a distance on their ATVS. My grandfather such large roles in my upbringing—and it forced me to was an athlete in his younger reckon with the fact that someday, the last generation days—he played on a baseball of nikkei who experienced the internment will all have team based in Penticton after the passed, and their experiences will only exist in the War, and was even scouted by the shared spaces of intergenerational memory, archive, Red Sox—so he was always happy and art. a particular space, as it exists and as it is remade in the imagination, can become a way to excavate the self. It was around then I discovered that a rigorous poem, a poem that was pushing toward surprise and insight, was a sort of education in and of itself. for school and work. own journey. Please call or email us at john kamiinsurance. It was filmmaker and teacher Midi Onodera was inspired by Exquisite Corpse a welcome distraction during the height of the to come up with the idea of a video version, EXC, with people from COVID lockdown. the poems than others. My friend and teacher Ishion Vancouver area. after the War, where he worked with his stepfather at a sawmill. My first book ends with a I September 9月 3 long poem, based on a road trip my grandfather and I made: we visited pretty much every internment camp site in British Columbia, starting with Tashme, and I remember him walking around the cottages, across the creek, and pointing out where things had been. The first player adds a head, the next artist adds a torso, and so on, none of the players knowing what the previous drawing looks like. Your grandparents were interned in Tashme. In The Face: A Time Code, Ruth versa: I see the Pacific Northwest in other places, I was born and raised in the Ozeki describes how being mixedand other places in it. indirectly affected my family and me. Thank you to the community and our customers for your continued support. Poems your family. phone: Poems should be read slowly and savoured. That kind of community the program afforded, and the great mentorship of my professors and advisors, really encouraged me. Eventually, the family made their way back to the coast. Where we are is inextricable from who we are—born to a place, exiled from it, returning to it, or just passing through. We all have unique families and experiences. By the time the project the idea? How did you come up with across the country contributing from their homes. The next day my Video I class at UTSC went online. identity factor into your poetry, in the topography of memory, the ways in which Tell me something about your and into your sense of yourself? Similar to the old parlour game Consequences, in which players write in turn on a sheet of paper, fold it to conceal part of the writing, and then pass it to the next player for a further contribution, Exquisite Corpse turns it into a drawing game. This summer, I was generously invited to read at an event organized by the Toronto chapter of the NAJC, which also included Julie Tamiko Manning and Matt Miwa, the writers and performers of The Tashme Project. A good poem should make or Americans have a different understanding of you feel the world a little differently for a while. The funny thing I many others. The cremation on a wooden pyre is an image from stories both my grandparents told me about their time in Tashme. What compelled you to string these poems together, to create this book? The question that arises for me, then, is what happens when a place like Tashme no longer physically exists but persists in various forms of memory personal, communal and imagination. The book is primarily concerned with your maternal Japanese grandparents, I presume. Your poetry, in this book at least, is very much rooted in the earth, in the topography of the country that your grandparents travelled in the course of their journey through their lives. com and we will reply to you with details on the simple procedures. I know Toronto was hit pretty hard early on, with lots of restrictions in place. As a teenager, my grandmother worked as a domestic servant for various families some of whom treated her quite poorly in B. The name itself is derived from a phrase that resulted from the first game, "Le cadavre exquis boira le vin nouveau" The exquisite corpse shall drink the new wine. something that you had to piece The last time I was there, the together yourself? are settlers on traditional and about the internment or was it unceeded Coast Salish land.