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Grand Théâtre de Genève is an opera house in Geneva, Switzerland. As with many other opera The theatre remained closed for a decade, during which performances were transferred to the Grand Casino also called Kursaal. After the​.


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The renovation project involved 60 different companies and around workers. They represent important composers of the time: Rossini , Boieldieu , Beethoven , Meyerbeer , Weber , Mozart , and Donizetti and the famous writer—and occasionally composer— Jean-Jacques Rousseau. The proscenium arch can be adjusted to different measurements. On both sides of the stage, covering a wider area than the central stage, two floors are equipped with lightweight mobile wagons to carry sets onto centre stage.

The venue is a majestic building, towering over Place Neuve, officially opened casino theatre geneve programmepartly destroyed by fire in and reopened inafter extensive refurbishments, which houses the largest stage in Switzerland.

Their movements are synchronised and their speed can be programmed according to casino theatre geneve programme effects.

In the hall, an original polychrome marble floor was brought to light after being hidden under red wall-to-wall carpeting. Following Stryjenski's untimely death, local architects Albert Cingria and Georges Tamarasco completed the decoration. The enfilade effect of the three spaces in the grand foyer is magnified by the subtle visual interplay of reflections from several oversized mirrors.

Canton of Geneva. The house was decorated in a style with gold highlights on light tones.

The lighting control panel has now been replaced with computerised control desks that operate electric circuits, twice as many as before the renovation work.

All the decorative elements of the upper vestibule door frames leading to the balconies, ceiling panels were lost in the great casino theatre geneve programme of Also on the upper level, in front of the vestibule leading to the house, three doors open onto bruce casino washington grand foyer, with three bay windows opening the view out on place Neuve.

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Categories : Opera houses in Switzerland Theatres in Geneva Concert halls in Switzerland Dance in Switzerland Tourist attractions in Geneva Theatres completed in Music venues completed in establishments in Switzerland Theatres completed in Neoclassical architecture in Switzerland. Beyond this, a hall with a recently renovated polychrome marble floor led to the house. These medallions, along with the rest of the painted allegories Music, Dramatic Performance and Dance decorating the house, were the work of Pierre-Nicolas Brisset. Although no alterations were made to the building itself, its capacities have been thoroughly maximised. Help Community portal Recent changes Upload file. The house seats were fitted with wooden backs and onto a new wooden parquet floor. What was state-of-the-art in had become obsolete—almost a threat to security in the theatre—and the grid the machinery above the stage was thus completely transformed. First and most urgent after 10 years of feasibility studies the renovation of the stage machinery; second, various refurbishments in the public-access areas. Wikimedia Commons. After the disaster, the City of Geneva commissioned several reconstruction projects. Namespaces Article Talk. Automation of these components was thus a priority, as well as installing a new computer-operated hydroelectric system, which is synchronised with the fly loft machinery. Electric power was installed between and , allowing the installation of a safety curtain, operated by an electric winch, and the replacement of gas lighting with electrical lights during performances. As an institution, it is the largest production and host theatre in French-speaking Switzerland, featuring opera and dance performances, recitals , concerts and, occasionally, theatre. The safety curtain and the ceiling were stripped of asbestos and the stage floor completely redone. With four levels of gangways and thousands of cables cluttering it, the fly loft in particular was a real stumbling block. The orchestra pit can seat up to musicians. Around the central cupola , from which hung a magnificent chandelier, a panelled ceiling with fifteen medallions featured portraits of nine actors and six singers. The ceiling also includes three projections into which various lighting sources are installed, either to illuminate the ornamental metal surfaces or for the proscenium lights. On the upper level, double columns separate the three balcony windows from the main foyer. The theatre remained closed for a decade, during which performances were transferred to the Grand Casino also called Kursaal. Several artists—painters and sculptors—were commissioned to decorate the inside and the outside of the building in an eclectic style. House mechanics took apart and reassembled most of the essential works in the system, with their electrician colleagues refitting all the lighting equipment and rewiring it. Most of the transformations took place in parts of the theatre out of the audience's sight, namely the stage-house, between the ceiling and the floor, and the orchestra pit decks. After three decades of service, the stage machinery began to show signs of wear and tear. During the season, two major refurbishment projects took place. The first stone was laid in , and the official inauguration took place in with a performance of Rossini 's William Tell opening the season. As early as , the Municipal Council had decided that the theatre was too small and plain, in view of Geneva's increasing importance and prestige. In order to guarantee maximum security and efficiency, the stage machinery was completely transformed and its operating system fully computerised. The orchestra pit was also renovated and can now be raised or lowered as deep as 6. These panels, of a highly academic nature, alternated with medallion portraits of famous composers. The stage also features a self-supporting hydraulically powered back stage, which slides forward on two tracks, covering the space left in the central stage when the decks are lowered. Most of the work on the stage house, between the stage floor and the ceiling of the fly loft, where the overhead machinery lights and set changes operates, is not visible by the audience in the house. The reconstruction was finally conducted between and by two architects, Charles Schapfer from Geneva, and Marcello Zavelani-Rossi from Milan, with a Polish artist, Jacek Stryjenski , responsible for the decoration of the house. Funds for the new theatre project were provided by Duke Charles of Brunswick's legacy to the city in , out of which CHF 1. The safety curtain collapsed and the fire spread to the house, burning everything from the orchestra seats to the third tier, along with the painted panels and medallions in the ceiling and above the proscenium arch. The fly loft machinery operates on a high-pressure hydraulic motor system, allowing sets to be changed silently and with great speed 1. The cost of this project, altogether CHF 20 million, was financed by the City of Geneva and the Union of municipalities of the canton of Geneva. It underwent extensive refurbishments during the renovations. Nowadays, the machinery below the stage still operates on a low-pressure hydraulic system, which has been regularly updated since it was installed in The latest phase of alterations and modernisation of the machinery below the stage took place in Manoeuvring the gigantic mechanical elements with an unautomated electro-hydraulic system required important staff resources in order to guarantee minimum security. Download as PDF Printable version. The Hans Wilsdorf Foundation contributed 2. The impressive slope of the ceiling continuing vertically into Stryjenski's ornamental safety curtain is built of silver- and gold-plated aluminium sheeting, with over a thousand lighting orifices fitted with Murano glass creating the impression of the Milky Way. Views Read Edit View history. From Wikipedia, the free encyclopedia. The pit operates mechanically, with three movable decks allowing the orchestra to be seated on different levels and creating a proscenium apron when raised to stage level. The building's facades are built of freestone , with plinths of Jura limestone and the rest of the building in sandstone and molasse. The central stage is made up of six decks, weighing 17 tonnes 17 long tons; 19 short tons each, supported and powered by twelve hydraulic hoists, which can raise the decks, sets and performers above or below stage level and lower them to 8. Accessed 21 February Music venues in Switzerland. With the new computerised system, fifteen motors can be run simultaneously from a single control panel, operating the battens, the light deck and proscenium curtain, which reveals or hides the stage during intermissions and can be used in different opening styles Austrian, Venetian, pleated or tableau.